Each pair below is one character. The first plate is the KanjiVG kaisho order. The second plate marks the grouping a published 行書 source numbers for that character. A character with no such numbering is not on the page.

KanjiVG keeps two structures in one file, as Strokes sets out. Nested groups are which component contains which. The -sN order is the kaisho realization. A join shortens that realization: consecutive paths become one movement. It does not change how many component slots the character opens. 草書 is not in the table. The sources read for this page do not number a cursive form stroke by stroke. The 1958 handbook already says that 行書 may use another order, as The rules of stroke order records. On this page that change is the grass radical of 葉.

連続
Neighboring kaisho strokes that the cited source tells the writer to continue as one movement: 連続, 折り返し, or 直接連続. In the table, that run counts as one movement.
筆脈、筆意
The brush’s path from the end of one stroke toward the next. The 教育出版 guide calls 点画の連続 the case in which that path is written through. Sato and others (2007) sometimes score 筆意, or 連続もしくは筆脈, apart from a fully joined stroke. Where that pair is the numbered continuity, this page counts it as one movement and says so on the plate.
点画の省略
A stroke the source says not to write. Only 極 has a numbered omission here. A fold that is still drawn is a change of shape, and the movement count keeps it.

A primary join of k strokes saves k − 1 movements. A dropped stroke saves one. A change of shape, or a change of order, saves none. An alternate grouping that reuses a stroke already counted is stored and is not added. The count is the kaisho length minus those savings. Component slots stay as they are on Strokes.

Each plate draws itself in the kaisho order. Click a plate to replay. On a grouping plate, joins take the slot inks in order: cinnabar, then indigo, then green, then gold. A dropped stroke is gold. A reshaped stroke, or a stroke whose order changes, is cinnabar. Gray digits are that file’s own stroke numbers. With reduced motion the finished character stays still.

口, 国, 心, 之, and 日 and 木 as whole characters are not here: the sources read for this page do not number which of their kaisho strokes join or drop. 日 appears as the enclosed component of 境 and as the split 日 of 由. 木 appears as the left-hand component of 極 and as the lower component of 栄. 糸 appears as the left-hand component of 組. 言 appears as the left-hand component of 語, and only the shape of its third stroke is numbered. Both papers teach an omission in 門構え, and neither numbers which kaisho strokes are dropped. Sato and others (2007) also record a common wrong omission of 門. That shape is not described here.

On this page

Neighboring strokes, one movement

Where the source numbers a run of neighboring kaisho strokes and says to continue them, the table counts that run as one movement.

光 · kaisho, six strokes. s4 ㇐, s5 ㇒.
光 · strokes 4–5, one fold. The 栄光 lesson says to write the fourth stroke, a horizontal, and turn it left into a falling stroke, steeper than in kaisho.
左 · kaisho. s1 ㇐, s2 ㇒.
左 · strokes 1–2, a direct continuation of the horizontal into the left-falling stroke. Higuchi 2010, item ⑥. The same item’s error note also looks at the turn from stroke 2 toward stroke 3. That turn is not a second counted join.
生 · kaisho. s1 ㇒, s2 ㇐.
生 · strokes 1–2, the left-falling stroke folded into the horizontal. Higuchi 2010, item ⑩.
名 · kaisho. s1 ㇒, s2 ㇇. 夕 is s1–s3.
名 · strokes 1–2, the left-falling stroke continued into the bend of stroke 2. Higuchi 2010, item ⑪.
内 · kaisho. Inside 冂, s3 ㇒ and s4 ㇔/㇏ are 人.
内 · strokes 3–4, the left-falling stroke folded into the right-falling stroke. Higuchi 2010, item ⑫.
投 · kaisho. 扌 is s1 ㇐, s2 ㇚, s3 ㇀.
投 · strokes 2–3, the vertical and the upper-right sweep, written continuously. Higuchi 2010, item ⑨. The error note also says the end of stroke 3 should point toward the next stroke. That direction is not a further join in the count.
洋 · kaisho. 氵 is s1 ㇔, s2 ㇔, s3 ㇀.
洋 · strokes 2–3 of the three dots. The 大洋 lesson marks 「洋」の連続, and states that where three dots stand in a row, the second and third are written continuously.
消 · kaisho. 氵 is s1 ㇔, s2 ㇔, s3 ㇀.
消 · strokes 2–3, dot continued into dot. Higuchi 2010, item ④, whose error note names strokes 2 and 3. The character in that row is 消.
学 · kaisho, eight strokes. s2 ㇔, s3 ㇒, s4 ㇔, s5 ㇖b.
学 · two joins: strokes 2–3, and strokes 4–5. Sato and others (2007) list both among the textbook forms. In this file stroke 3 is ㇒, a left-falling stroke. The paper’s name for strokes 2–3 is 点の連続.

The same paper records 「学の1画目から3画目まで連続」 in 51% of the framed university writing, and calls that continuity unnatural. It is not in the count. Strokes 7–8 are not in the textbook list either.

栄 · kaisho, nine strokes. s2 ㇔, s3 ㇒, s4 ㇔, s5 ㇖b. 木 is s6 ㇐, s7 ㇑, s8 ㇒, s9 ㇏.
栄 · joins at strokes 2–3 and 4–5. Strokes 8–9, the sweeps of 木, are the shape change, in the same cinnabar as the first join. The fill-in sentence says to continue strokes 4 and 5, and to change the sweeps of strokes 8 and 9. The board says stroke 2 continues from the dot into the left-falling stroke.

One line in the same guide’s first-hour plan numbers the changed sweeps as strokes 6 and 7, and tells the writer to make stroke 3 a vertical, stop, and return into a horizontal. In this file stroke 3 is ㇒, stroke 6 is ㇐, and stroke 7 is ㇑. The counted joins are 2–3 and 4–5, and the counted shape change is 8–9, which are the numbers that match the fill-in sentence and this file.

Inside a closed form

A closed component does not by itself join its strokes. The join is the run the source numbers, including a run that sits inside the frame.

境 · kaisho, fourteen strokes. s6 ㇔ and s7 ㇒ are in 立. 日 is s9–s12: ㇑, ㇕a, ㇐a, ㇐a.
境 · strokes 6–7, the dot continued into the left-falling stroke, and strokes 11–12, the two inner bars of 日, scored as 筆意. Sato and others (2007). In the framed writing, 80% of the university students joined those inner bars.

The same checklist scores strokes 12–13 as a separate continuity, the last bar of 日 into the left-falling stroke of 儿. Stroke 12 is already in the counted join, so 12–13 is not added.

由 · kaisho. 日 is split: part 1 is s1–s2, 丨 is s3, part 2 is s4–s5.
由 · strokes 3–5, a vertical and two horizontals, written as one movement. Higuchi 2010, item ⑦. That is the only consecutive vertical-plus-two-horizontals in the file. s3 is ㇑a, s4 ㇐a, s5 ㇐a.
積 · kaisho, sixteen strokes. 龶 is s6–s9. 目 inside 貝 is s10–s14.
積 · strokes 8–9, the two horizontals of 龶, and strokes 13–14, two horizontals inside 目. Both are in the textbook list of Sato and others (2007).

Strokes 7–8 are scored as 連続もしくは筆脈. Stroke 8 is already counted, so 7–8 is not added. Strokes 1–2, the left-falling stroke and the horizontal of 禾, are easy to join and common in the fast notes. The paper says that join is in none of the eight textbooks then current, and is rare in classical models. It is not in the count.

蹄 · kaisho, sixteen strokes. 足 is s1–s7. s6 ㇑, s7 ㇀/㇏.
蹄 · strokes 6–7, the vertical and the upper-right sweep of 足. Higuchi 2010, item ⑧. The error note names stroke 7 as that sweep, and says its end should point toward the next stroke. That direction is not a second join.
寺 · kaisho. 土 is s1 ㇐, s2 ㇑a, s3 ㇐.
寺 · strokes 2–3. Higuchi 2010, item ⑤, says the end of stroke 2 should show 筆意 toward stroke 3. The column header says a horizontal and a vertical. In this file stroke 2 is the vertical and stroke 3 is the horizontal. The row counts the numbered pair, and does not call it a horizontal followed by a vertical.
Dropped, reshaped, or reordered

A dropped stroke leaves the movement count. A new shape, or a new order, does not. The order change has to be learned; the kaisho order is not what the hand follows there.

極 · kaisho, twelve strokes. The left 木 is s1 ㇐, s2 ㇑, s3 ㇒, s4 ㇔/㇏.
極 · stroke 3 of 木偏 is folded, in cinnabar, and still counts. Stroke 4 is omitted, in gold. Sato and others (2007): fold stroke 3 and omit stroke 4.
組 · kaisho, eleven strokes. 糸偏 is s1–s6. s4 ㇑, s5 ㇒, s6 ㇔.
組 · strokes 4, 5, and 6 of 糸偏 all become dots. Sato and others (2007). The shape change does not reduce the movement count.

The same checklist says the upper dot and the lower dot of 糸偏 are omitted, and that the stroke order of 糸偏 changes. It does not give the new order, or the indexes of those dots. They are not marked.

語 · kaisho, fourteen strokes. 言偏 is s1–s7. s3 is ㇐, the second horizontal.
語 · item ⑮ is an omission task for 言偏. The only numbered fact is that stroke 3 should be oblique, not the kaisho horizontal. No deleted stroke is claimed.
葉 · kaisho, twelve strokes. 艹 is s1 ㇐, s2 ㇑a, s3 ㇑a.
葉 · the grass radical’s kaisho order 1, 2, 3 becomes 2, 3, 1 in 行書. Sato and others (2007), measured on 葉. The order change does not reduce the movement count.

The same checklist says the 木 of 葉 changes in 行書, without stroke numbers, so that change is not marked. Higuchi 2010’s item for 花 says the grass radical’s order changes, and that strokes 1–2 must not look like the fold of hiragana わ. It does not state the order 2, 3, 1. 花 is not on this page.

The movement count

Character Kaisho Joins Dropped Shape or order Movements Also scored Source

What this shows

Stroke diagrams: KanjiVG, Ulrich Apel et al., CC BY-SA 3.0, from commit 70a0b7ae0c18ceb5cb358274b029cce0234a43bc of github.com/KanjiVG/kanjivg. Plate files in site/assets/kanjivg/ are unmodified. Joins and the other markings are the stroke numbers in Sato, Higuchi, Tsumura, and Honda (2007), 書写書道教育研究 21, pp. 75–80, doi:10.82787/jacse.21.0_75, free to read on J-STAGE, copyright 全国大学書写書道教育学会; Higuchi (2010), the same journal, vol. 24, p. 83–, doi:10.82787/jacse.24.0_83, same copyright (the J-STAGE title string ends in 改普; the article’s headings say 改善); and 教育出版, 『中学書写』令和7年度 内容解説資料, lessons 「大洋」 and 「栄光」, copyright 教育出版. No figure from those publications is reproduced.